Wednesday, January 31, 2007

Top 5 Mistakes Authors Make When Choosing a Publisher

Brent Sampson c. 2006

1) DO NOT CHOOSE SPEED OVER QUALITY
Avoid publishers that claim to publish in 24 hours. After the time it took to write your book, do you want it published right, or overnight? Avoid overnight publishers no matter what they charge because the only one looking at your book will be a computer. It should take between 6-15 weeks.

2) DO NOT BE FOOLED BY HIGH ROYALTY CLAIMS
A royalty is simply a percentage of another number. The actual dollars and cents you earn depends upon that second number. The truest royalty is a royalty based upon the retail price of your book. Many publishers use "net royalty" which is a royalty based upon their profit. To be sure, always confirm your profit in dollars and cents.

3) DO NOT SIGN YOUR RIGHTS AWAY
The main advantage to publishing alternatively with a on-demand publisher is that you keep all the rights to your work. The rights are valuable. Read the contract. Your rights should clearly stay with you.

4) DO NOT BE CONFUSED BY BULK DISCOUNTS
If a publisher normally offers discounts to an author who buys their own book in bulk, that tells you two things.

1) It tells you they are more concerned with selling to you than to other readers.

2) It tells you they are charging you too much for lower quantities. Do you really want to be forced to buy 100 books at a time just to get a fair price? "Bulk" discounts simply trick the author into buying more books than they need, which defeats the whole advantage of on-demand printing.

5) DO NOT BE TRICKED BY AUTHOR DISCOUNTS
As an author, your per-book price should be based upon the production cost of the book, not the retail price. No wonder publishers inflate their retail pricing. You should always receive a below-wholesale price, regardless of how many you buy. You will never make money if you have to buy your own book at wholesale from the publisher.

Brent Sampson is the President & CEO of Outskirts Press Publishing at http://www.outskirt spress.com and author of Self-Publishing Simplified (a free e-book is available at http://outskirtspre ss.com/publishin g)

Tuesday, January 30, 2007

Seven Steps To Publishing Success

by Lee Masterson

Nobody can guarantee your success, except yourself

"I don't recall where I originally read that piece of advice, but it is so true. Sure, there are the lucky few writers who receive a kick-start from a distant cousin in the industry, but let's face it - that cousin would have been no help at all if the writer himself had not put in the initial hard work and written something worth selling in the first place.

But unless you are related to someone who happens to own a publishing house, you're pretty much on your own.So let's take a look at the Seven Steps that should send you on your way to Publishing Success.

1 - Read
Read everything you can get your hands on. Devour articles, scan newspapers and check out reviews. Read great books that hook you and suffer through really bad books. Learn to spot what makes them so enjoyable, and look for the pieces that make a piece of writing bad. Remember to keep these things in mind for your own work.

Reading other people's work can be a wonderful source of inspiration, but it can also teach you much about your own writing.

2 - Plan
Have a basic idea what you are going to write before you begin. If you are working on an article, or a short story, know what points you are going to include and how you are going to end it.If you are writing a longer piece, such as a novel or biography, take the time to sit down and plan where the story is going to begin. Create complete character outlines. Know the world you want your readers to immerse themselves in better than your characters do.

Be sure your plotline is filled with tension and plenty of conflict to keep readers turning those pages to see what happens next. Make absolutely certain you have a strong ending planned that ties up all of your plot's loose ends and won't leave your readers disappointed.

3 - Write
This step sounds so logical but, surprisingly, a lot of people don't do it. They have plenty of great ideas, and loads of inspiration, but nothing concrete goes down on paper (or on the screen, as the case may be).

Many find they do not have enough time to write. Some suffer from an attack of the procrastination bug. Others simply have not found a way to break through their stubborn writer's block yet.But in order to get published, in any form, it is essential that you WRITE something. Unless you begin writing, you will never know if what you have created will be worth anything. Who knows? You might just surprise yourself with a spark of hidden talent.

4 - Revise
If you are lucky enough to have been born with the amazing gift of being able to write professional quality prose on your first draft, then this step is not for you.Most people, though, do need to revise what they've written. Sometimes more than once. Think of the editing process as a great way to learn about the strength of your own writing.

Honing your work, correcting any spelling problems, polishing each scene until it shines, defining a character until she dances off the page - all of these things are the finishing touches to any piece of writing.

Print out your story or article on paper. Seeing your words on a different medium can highlight problems that are not always so apparent on the screen. Use a bright red pen to correct anything that strikes you as wrong or unnecessary. Make notes in the margins and between the lines. Be ruthless with your revisions. Edit out any scenes or sections that detract from your main point. Add a few details you might have missed on the first draft about how your character is dealing with a particular problem.When you think you've edited everything there is to edit, join a workshop or critique group. Perhaps an impartial reader will pick up a few things you might have missed, and when you have some critiques to work with, REVISE AGAIN

5 - Submit
This sounds like the easiest step. Right? Wrong. A large number of writers never find the confidence to send their work out to be judged (or worse, rejected!) by a complete stranger. Others never finish the tale they began. And there are still other writers who will spend years revising, searching for perfection, never feeling happy with the work they have created.

Know when to let your work go, and submit it everywhere you can think of. Be optimistic here, but also be professional. Do your homework - research which markets will be suitable for your piece. There are plenty of market guides around which list submission guidelines, pay rates and some even make a note of response times, too. Take the initiative and find out which market you would like to present your work to. Keep track of where you send everything, and note down the date you submitted it. If something is returned to you with a rejection slip attached to it, file the rejection and send your story out to someone else THE SAME DAY.

Persist and be patient. Every writer will be rejected at some point in their careers, and not always because their writing was no good. Perhaps the publication you submitted to already has enough articles or stories to keep them busy for another twelve months. Or maybe you submitted it to the wrong editor - a publishing house which deals with science fiction will almost certainly reject a romance manuscript.Treat rejection slips as a numbers game - for every rejection you receive, you are one closer to acceptance. Send your work out again. The next editor who receives it might just be the one who says "yes".

6 - Promote
The title of this article is "Seven Steps to Publishing Success", and it is important to realize that simply being published is not the same thing as achieving publishing success.A dedicated reader wants to see more work from an author they already admire or enjoy, but how do you gain that reader's attention long enough to entice him to have a look at your work? A new author is faced with some pretty stiff competition here.Established authors have already been through the promotional mill and have created a wide readership for themselves, but popping your lonely title on a shelf beside multiple copies of a big-name author's books is not going to guarantee your success.

You will need to promote public awareness of your story or article. Read as many articles on self-promotion as you can find. Be creative in your pursuit of public awareness, but be professional in your approach at the same time. Learn how to write your own press-releases, and send copies of your books out to be reviewed.

Broaden your horizons a little, and write other pieces for different markets, designed to give future readers a hint at what you're capable of. A person who enjoys your articles or short stories may be more willing to spend their hard-earned cash on your novel once they have seen your style.

7 - Do It Again!
As soon as you have finished one piece of writing, sit down and write something else. Begin from the beginning all over again. Don't promote your one and only piece of published work forever. Get another title sitting alongside it as soon as you possibly can. Write another article and fill up your growing portfolio. Scribble out a short story just for fun.

But above all, keep writing.

Monday, January 29, 2007

Six Tips for Submitting Fiction - If You Want it To Get Published

by Amber McNaught

You can learn a lot about what it takes to place a story in an ezine by starting up one of your own.

Last month I started work on a new ezine for writers, which I intended to use to publish high-quality, contemporary fiction, from writers all over the world. We placed a few adverts asking for submissions of just that. What we got was a revelation.

As a writer myself, I know how competitive the market is. Even non-paying markets are deluged by wannabe writers desperate for a by-line and some publicity. Competition, I had thought, would surely lead to a high quality of submissions, with every writer determined to submit only their very best work. Not so.

Of the handful of submissions we received the day after the adverts went out, only around four were fiction. One was a “how to write” style article. One was an essay on “the day my gran died”. Two were stories about vampires. One guy just sent us his CV – in Arabic.

Tip one, then: read the guidelines carefully. If the market you’re aiming at publishes fiction, then no matter how brilliant your essay or article is, it’s not going to be accepted. Neither is your CV….

Tip two, I hardly even need mention: If the publication is in English, don’t send your submission in Arabic, on the off-chance that the poor, beleaguered publisher will understand it. Simple. Having deleted the non-fiction submissions, I moved onto the “good stuff”. Or so I thought. Of the four remaining pieces of writing, none had been proofread too carefully. One story made reference to a businessman “clenching the deal.” One made frequent use of the word “teh" and had apparently random. Punctuation. A bit like. This. The other two were … stories about vampires.

Tip three: Proofread. Or, ideally, get someone else to do it for you. Any writer knows that once you’ve worked on a piece of writing, you become blind to its mistakes. You can “proof” it as many times as you like, but you’ll still just see what you think is there, rather than what actually is there. In any artistic endeavour, a fresh pair of eyes is essential in providing a little bit of clarity and perspective. For this reason, I present:

Tip four: constructive criticism is your friend. There are a lot of aspiring writers our there. Get together with one, even if it’s only by email, and swap stories with them. Chances are they’ll be able to point out something about your story that you’ve missed. They may have some knowledge about your subject matter that you lack – for example, the fact that it’s called a “bass” guitar, not a “base guitar”, as one enlightening submission had it.

Tip five: let your writing do the talking. When it comes to biographical info, less is more. I want to read your story, not a breath-by-breath account of the last twenty years of your life. Keep it simple, keep it short.

And tip number six? Well, if you’re thinking of submitting your writing to a publisher, visit our online writing community first for tips, articles, and our popular manuscript appraisal service.

Amber McNaught runs Writing World, a new agency for freelance writers. Writing World provides a free agency service which helps writers find work, and helps employers find the best writer for their project.

Sunday, January 28, 2007

How To Make A Portfolio

How to make a professional portfolio to increase your chances of publishing your articles.

If you are a writer looking for work, the most important tool in your arsenal will be your portfolio. Editors and publishers want to see examples of your work and what kinds of places you have published with before and they don’t want to get a stack of photocopied papers and folded up newspaper clippings. If you want to present your best side to a prospective editor or publisher, it is important to be professional, organized and thorough. If you want to be chosen out of the hundreds of other writers on the editors slush pile, you need to stand out and present yourself coherently and with style. The portfolio you create could make or break your next writing contract. Before you start, you’ll want to pick up some report folders, the kind with the sliding bracket on the edge are the easiest to put together, but you may find a loose leaf type folder even more professional looking and weighty enough to not get lost in a pile of envelopes.

Get about twenty good quality laser copies of any articles you have published in the past 3 years. If your article included color photos, have them copied in color. On the bottom of each copy, type the name of the publication it appeared in along with the date. Make sure you produce copies of ALL of your clips, not just the best ones. You want to build an arsenal of different types of writing so that when you are querying for a job, you will have a full artillery. Clips can include brochures, newspaper articles, nonfiction articles, poetry, fiction, advertising copy, anything that you have written that has been published. The more different kinds of examples you can assemble, the better.

Before you assemble your portfolio, you will want to work up a resume to include in the front of your package. Include any relevant credits you have accumulated no matter how obscurely related they may seem. Also include any information that really doesn’t have anything to do with writing at all. You never know when an editor is looking for an expert in a field you may have experience in to do an article. Even if your editor isn’t interested in your query, if he sees something in your resume that looks interesting, he may ask you to do an article pertaining to it.
You can tailor make your portfolio to suit the interests of any particular editor. If, for example, you are querying to a children’s magazine, include in the beginning of your portfolio any examples of writing you have done related to this field, followed by a few examples of other things you have published. It is always good to show versatility, even when working for a targeted audience. If possible, you should include a photo of yourself in your portfolio, sometimes magazines like to include photos of their authors and it also helps the editor to put a face to your writing, a big advantage!

Above all, make your portfolio user friendly and unpretentious. An editor can tell by your portfolio whether you will be difficult to work and you want to give the impression that you are easy going, though professional and talented. Portfolios add up to a big plus in your favor if you send them along with your query, you will be less likely to get ignored as a nice looking portfolio is tempting for editors to look through.

Saturday, January 27, 2007

Writing Press Releases - An Editors Perspective

As I was writing that email about welcoming press releases, I thought how different it is on this side of the editorial desk. I've been getting a few press releases, and I wonder sometimes, "Do these people really think this will get published?"Here are a few tips about writing an editor-friendly press release:

1. Think about the reader's needs and not your own.

This is very important. As an editor, I am not out to promote your book or to promote Christian literature. I am out to provide something I believe will beneficial to my reader. Knowing about the release of new books in my field is beneficial. Being hit over the head with a lot of blatant propaganda about how wonderful the book is without my having actually reviewed it, is not.

2. Know the publication.

I have an adult (and I mean a site for adults, not the other type of "adult") science fiction e-zine. I got an email from someone who publishes children's books. And they weren't even science fiction oriented. That was a waste of time and effort sending it to me.

3. Just the facts, ma'am.

Remember Joe Friday on Dragnet. Peoplewould wander off telling a story, and he would interrupt them and say, "Justthe facts, just the facts." Facts are neutral, objective, bits of information about your book. "This novel will be released May 15 and is the third novel in the Novel Trilogy," is a fact. "This is a great read thatyou will be talking about tomorrow," is not a fact. It's an opinion. Unless that opinion is part of a quote from someone the audience and the editor will recognize instantly, don't use it.

4. Include quotes.

Quotes humanize a story. You can quote yourself, but keep the quotes interesting, but not like mini sales pitches. Tell about how you came to write the book, what interesting experiences you might have had researching it. Why you think the topic is important. That sort ofthing.

5. Include contact information.

If I want more information, how do Iget back in touch. If I printed out the press release, I might not have your email address on the print out. So include it on the release. Also include a phone number in case the editor wants to talk to you live and in person.

6. Clean it up.

Check spelling, punctuation and grammar. I would say especially check grammar. You can explain away an occasional dropped comma or misspelled word as typos, but there is no excuse for sentence fragments or subject-verb agreement errors.

The ideal press release is one which the editor can feel confident copying and pasting directly into his or herwebsite or print publication.If you can write a good press release from an editor's perspective, you will greatly increase your chances of getting that press release published.

Terri

Thursday, January 25, 2007

SIX THING TO AVOID IN A QUERY

by J. A. Konrath

1. Don’t be needy. Pros don’t mope and moan about how hard the publishing biz is, or beg to be read. I once started a query, “I’ve had forty rejections on this book so far, but I’m not giving up yet.” Do you think the editor even bothered to look at the manuscript?

2. Don’t be cocky. Telling the editor or agent how rich you’ll make them, or how brilliant your idea is, always backfires. For my fourth unpublished novel, I send out a query that stated, “Here’s your next blockbuster.” Among the form letter rejections I received, one had a hand-written note that said, “Guess again.”

3. Don’t use fancy paper. There are many wonderful colors and patterns of paper available at the office supply store. I’ve used pink, blue with white clouds, intricate Aztec borders, and paper that appeared to be stained with blood. The rejections I got back were on plain, white, 20# bond, because that’s what professionals use.

4. Don’t use fancy font. Stick with Times New Roman, Arial, or Courier, 12 pt and double spaced. I tried sending a query once using an exotic, caligraphy font, because I thought it made me stand out and appear intelligent. The agent returned it asking, “Next time, submit in English.”

5. Don’t include a SASE. Everyone in NY requests that you send a self addressed stamped envelope for a reply. In fairness to the publishing biz, they get a ton of unsolicited manuscripts every day, and couldn’t afford to send rejection letters to everyone out of their own pocket. Keep in mind that SASEs are for rejections. In fact, it makes it even easier for them to reject you. If they want your work, they’ll gladly spring for the stamp, or call on the phone. Do you think Tom Clancy sends SASEs?

6. Don’t address is to unknowns. Dear Editor and Dear Sir letters get thrown away. Find out who the editor is, and then call up and make sure that editor still works there. Publishing is a turbulent business, and editors and agents are constantly moving from house to house. Make sure you’ve addressed you package to a real person who still works there.

Wednesday, January 24, 2007

The Seven C's of Success

by Brian Tracy

After having studied top achievers and peak performers over the past 25 years, I've concluded that these unique men and women have, in most cases, mastered what I call the Seven C's of Success.

Clarity - Eighty percent of success comes from being clear on who you are, what you believe in and what you want.

Competence - You can't climb to the next rung on the ladder until you are excellent at what you do now.

Constraints - Eighty percent of all obstacles to success come from within. Find out what is constraining in you or your company and deal with it.

Concentration - The ability to focus on one thing single-mindedly and see it through until it's done takes more character than anything else.

Creativity - Flood your life with ideas from many sources. Creativity needs to be exercised like a muscle, if you don't use it you'll lose it.

Courage - Most in demand and least in supply, courage is the willingness to do the things you know are right.

Continuous learning -“ Read, at the very least, one book a week on business to keep you miles ahead of the competition. And just as you eat and bathe, organize your time so you spend 30 minutes a day exploring e-mail, sending messages, going through web sites, because like exercise, it's the only way you can keep on top of technology. If you get away from it, you'll lose your edge.

Tuesday, January 23, 2007

Why Your Articles Are Rejected

1. Controversial questions given extreme or one-sided treatment. Special pleading. Argumentation full of unsupported generalizations.

2. Problems raised without any effort at solutions -- inconclusive, pointless.

3. Lack of coherence, unity of theme. The various parts of the article do not "tie together."

4. Subject matter traditional or trite. No fresh insights. Hackneyed, stereotyped, warmed-over ideas and illustrations.

5. A human-interest lead elaborated or allegorized beyond reasonable limits.

6. Trivial or worn-out theme, elaborating the obvious.

7. Shallow or superficial treatment of the subject. Insufficient analysis or research.

8. Lack of structure, plan, or clearly developed theme. Rambling, unbalanced, repetitious.

9. Inarticulate, ungrammatical writing. Poor use of words.

10. Mistaken attempt to be "cute," light," "airy." Too colloquial, chatty.

11. Preachy -- talking down to the reader.

12. Reactionary, depressing, defeatist in mood or emphasis.

13. The opposite error to #12; a local or particular instance treated as if it were universal or general.

14. Excessive wordiness, redundancy.

15. Material carelessly put together. No evidence of serious effort to communicate meaningfully.

16. Material or theme without practical application to the present.

© 2000-2003 Writers Information Network -- 031022

Monday, January 22, 2007

Fourteen Powerful Ways to Market Your Book on the Web

By Scott Jeffrey

Many authors now understand how important a marketing plan and promotional tools (like an effective publicity service) are for selling more books. Heres a general overview of various Internet Marketing strategies you can employ to help market your book:

Authors Website:
There are two basic types of sites: author-driven and book-driven. Author-driven sites are seen more frequently the website is usually www.[theauthorsname].com and it contains all their products and services. Book-driven websites center around the book itself; this type may be good for very content-rich, nonfiction books, or books that create some kind of a culture. (For examples, go to our website's Resource section at select "Build a Website.")

Search Engine Optimization (SEO):
When someone goes to Google.com, for example, and types in your name or a term related to your book, where are you listed? Are you on the first couple of pages or do you need to click through 20 pages first? SEO is both an art and science; there are e-marketing companies that exclusively focus on SEO. (This top encompasses an entire field. You can use a program like WordTracker to determine the most effective key words, but you may want to hire a SEO expert to optimize and maintain your site.)

Pay-per-click Advertising:
This is one of the most cost-effective, trackable form of advertising on the Web. (Google's Adwords program is possibly the best place to start. Visit their site, watch their demo and they start experimenting.)

Email Marketing / E-Newsletters:
This medium is essential to establishing and growing your platform as an author. In addition to building a general email list, you can deploy an e-newsletter targeting your area of expertise. If youre in the business arena, this can be an effective way to generate new leads and sell books. (If you're just starting out, you may want to check out services like Constant Contact and Vertical Response. If you're more tech savvy a licensed program like ActiveCampaign's 1-2-All might serve you better.)

Discussion Boards:
Always think about how to get people to come to your site, stay on your site, and frequently return. The fresher you keep your site, the more people will want to visit. Discussion boards and chats build a community aspect into your Web presence. Although this isnt appropriate for every author, creating a channel for your readers and potential audience to interact and communicate with you and other like-minded individuals can be a rewarding and powerful strategy for platform building. (Ready to start building a community around your topic of interest? Here's a few popular programs: phpBB.com and vBulletin.)

Autoresponders:
An autoresponder is an automatically generated email response that is triggered by a specific action. For example, when someone signs up for your mailing list or e-newsletter, an autoresponder message to thank the subscriber can be sent automatically. Additionally, you can create a seven-week email tutorial where a new message and assignment is sent out each week automatically. (The abovementioned email programs generally offer autoresponder capability.)

Content Submission and Link Directories:
Your book-buying audience is out there what drives them to your site? There are tons of content submission sites on the web where you can submit articles and/or your Web link with a short description. Article submissions has quickly become a popular way of promoting your website and increasing your search engine positions. These articles and links may or may not lead to more traffic and sales on your site, but its just one more way to plant seeds. (For example, www.selfgrowth.com and www.ideamarketer.com moresites are listed in the Resource section.)

Affiliate Marketing:
Most likely, however, youre going to drive book purchasers from your site to Amazon.com (through their "Associate" program). The reason you want to utilize Amazon.com as opposed to servicing the orders yourself is because they are masters at e-commerce and have defined the online purchasing experience (especially for books). Most people are already comfortable purchasing books at Amazon.com which lowers the perceived risk for ordering your book. However, if you have an e-commerce-enabled website, you can create an affiliate marketing program where a referral fee is given for customers who come from affiliate sites. They earn a commission and you increase your exposure and customer base. (If you're ready to launch your own affiliate program, you need to do your homework. There are numerous programs available with a wide variety of options and pricing. They all seem to have pros and cons.)

Viral Marketing:
Creating word-of-mouth buzz around your book can be challenging. Finding ways to make your book idea viral is unquestionably worth some time. If someone takes the initiative to subscribe to your mailing list, consider providing a Tell a friend feature so the subscriber can share your information with others.

Digital Media:
There are so many exciting new ways to present information on the Web. Can you create audio and video downloads for your site? Maybe you can put together an online tutorial or a Web seminar, highlighting the key principles or lessons from your book. New technologies are constantly becoming available to edutain your audience. (I've seen numerous marketers posting video clips on Google Video to get more exposure for their websites and services.)

Distance Learning Programs:
Perhaps the content of your book lends itself perfectly to a distance learning program. You can create a program that runs for a period of time (like 30 days or three months) and put together a series of modules covering specific topics. Each week you can email a different assignment that participants complete and email back or submit through an online form. Depending on your subject matter and how well you construct and market your program, this can be a substantial revenue source.

Blog:
A blog (from web log) is basically an online publishing tool, like a web-based journal, that provides a forum for you to communicate with your audience. Blogging can enhance your search rankings, but it may not be the best vehicle if you dont already have a subscriber base. (If you're just getting started, Blogger is an easy and free way of launching a blog. If you want a more professional blog with greater functionality, TypePad is the current program of choice.)

Amazon Connect:
Amazon.com's AmazonConnect program has created an incredible opportunity for authors to communicate with their readers who purchase their books on Amazon.com. After creating an Amazon.com Profile with your "Plog" (product blog), your plog entries will show up on your book pages. Plus, your new Plog entries may show up on Amazon.com's home page for those who have already purchased your book.

Google Book Search: Google's Book Search matches the content of your book with the users search. It's a different way to get more exposure ... and it's free. (Sign up here and check out this success story.)

Of course, each of the above are big topics of discussion on their own. All of these elements can be included in your book marketing plan and promotion efforts.

Well try to cover them each in greater detail in other articles and on the blog.

The above article is an excerpt from the guidebook included in Everything You Need to Know to Become a Best-Selling Author

Sunday, January 21, 2007

Point of View

Some folks identify over two dozen points of view, but we'll stick with the basics:

First person - the "I" voice; all narration written as if the narrator were speaking directly to the readers. The narrator is one of the characters, not the author as in omniscient p.o.v.

Third person - the "s/he" voice; a mix of the other two, a compromise between first person and omniscient p.o.v. Confused? You'll find that a great deal of modern fiction is written in *limited* third person (limited to one person). It's probably the best bet for beginning writers, too. Here, the narration refers to all the characters by third-person pronouns (he, she, it), each self-contained scene follows the viewpoint of one specific character.

"Third person multiple," means your viewpoint is limited to more than one character. You'll need at least one other viewpoint if you include scenes in which you protagonist is not present. But always confine yourself to one point of view per scene. Don't switch viewpoint unless you're starting a new scene.

Omniscient - a point of view not written from "inside" anyone's head; unseen narrator knows what all the characters are thinking. Janet Burroughway describes, in WRITING FICTION, the total omniscient author as "God.

Here's an example of *omniscient third person* :
"Janet, don't you remember me? I'm Joe Smith." He realized time had changed everything -- his looks, his voice, even his manner toward her. Janet thought she recognized him, but could not quite place him. We started out in Joe's head, left it, and then were in Janet's.

Now, here's the same paragraph in *limited third person*, solely from Joe's point of view. "Janet, don't you remember me? I'm Joe Smith." He realized that time had changed everything -- his looks, his voice, even his manner toward her. Janet gazed at him for a moment and Joe thought he saw a flicker of recognition in her eyes.

We stayed inside Joe's head. We only knew Janet's thought because Joe recognized an outward sign ("a flicker of recognition on her face") that he interpreted.

You can freely switch viewpoint characters when you change scenes, but it's a little tricky to switch in a short story. You have to make sure you are not confusing the reader. Using a blank line helps.

In novels you can shift at the end of a chapter, or with a blank line within a chapter.

Thursday, January 18, 2007

Focus on Successful Book Sales

Tips from Author Jim Durkin

"The biggest mistake writers make when they get done with a book is to think that when the book is published, their work is done," said featured speaker for the September luncheon of IWPA, author Jim Durkin. "That is, in fact, when the real work just begins!" The author of In My Dreams works full-time as an insurance fraud analyst and part-time as a political science college teacher.

Durkin shared many of the lessons he learned in the course of publishing his first novel. Among the lessons he learned are to back up computer files frequently and that there is significant competition in this arena, with more than 175,000 book titles published each year.

Regarding the business of book sales in books stores, he indicated that most books have only a 43-day shelf life; if they are on shelves with their spines out, they are not doing well, however if they face cover out, they are selling very well. According to Durkin, only one out of three books actually become financial successes in America. However, publishing a book provides a great deal of professional credibility. This particular novel, which is based on his own experiences teaching and working on a political campaign, revolves around a young Chicago south suburban man who wins the lottery and becomes the president of the United States at 29 years old.
In describing the process of writing, Durkin said he wrote the book en route home on the train over four months.

Despite popular belief, Durkin recommended registering the copyright in Washington as soon as it is done, rather than just "mailing it to yourself." It costs $30 to register the copyright, which now takes one to one and a half years to obtain. However, if there is ever a dispute, it will ensure you receive more than punitive damages, which is what would happen if you just mail it," he said.

Tips on Marketing: Book signings can be done anywhere; he urges writers to be creative. For example, he belongs to Bally's Health and Fitness. Since his book is not in competition with their mission, he is able to have a book signing at his local club. He has appeared at Mayor Daley's May Book Conference, became a principal for a day and has promoted himself at a high school reunion. "People are helpful," he said. "It's exciting when you find they will plug you."

He also suggests personally finding stores that will sell the book, adding, "I've spent more time marketing my book and discussing my writing than I spent writing it! I always carry extra copies of the book in my trunk!It's work!"

Durkin notes that speaking engagements actually bring more money in than royalties. He suggests arranging for speaking opportunities.

Chain stores each have their own acquisition policies. "Front door" approaches include offering stores the book as a local one or, a more difficult task, getting the store to feature the book nationally.

A "back door" approach he has used was attending a local author's night at Barnes & Noble, which owns the bookstore on the Illinois State University campus, his alma mater; he convinced them to allow him to be feature his book at the local author's night. In another offbeat approach, Durkin went to a White Sox game, arranged an outing and got his book's name onto the scoreboard; he now uses a photo of that on his website.

Resourceful marketer that he is, Durkin was landed a spot as a call-in guest on "The Bright Side of Life," a segment at 6 p.m. on WGN Radio (AM 720) several times a year over the past four years.

He also suggests attending book clubs. People have questions and it is a free way to get the word out that your book is in print.

The co-founder of a two year-old Writer's Marketing Group--along with Sheila Peters--Durkin described how he's made this a win-win-win situation as well for would-be authors, Barnes & Noble and himself.

As Durkin tells it, "Barnes & Noble publishes a newsletter of events about five times a year, which puts the Writers Marketing Group-about 55 members-into the public eye. In addition, the meeting is a public venue in a friendly environment for reporters to join in - so it was a win for the store, the group and the media. The format consists of 10 to 15 minutes of speeches by members followed by a guest presenter.

One of these was Ginny Richardson from GR * PR in DuPage County. Richardson was the creator of "Free Speech," a forum for those interested to speak free at local organizational meetings like the Kiwanis, Rotary and others, at no charge to be able to attain some public relations visibility. The speaker pays a $25 fee annually to Richardson and her group supplies the venues, matching speakers with group needs.

Other ideas were offering to be a guest on local radio stations, offering copies of your book for silent auction, donating book copies to the library - having them pay for additional copies after donating one or two, and creating a website. He also suggested handing out business cards touting your book, emphasizing the need to make sure the card includes the title of the book, the publishing house and the International Standard Business Number (ISBN), in addition to the writer's name for ease of finding.

On becoming published, Durkin tells of three major means of getting into print. For the traditional marketplace, using houses like Random House, Harper Collins, etc., writers need to hire agents - and to find someone who will take them on, unless the writer is a celebrity. He warns that these operations will rename the book and change the cover - offering little control to the author. He also noted that the book would probably not come out until about two years after the contract is signed.

The second option is self-publishing, where the author does it all - creator, marketer, UPS, artist, and everything from "cradle to grave. In the economies of scale," he said, "You'll make more self-publishing."

The third form of publishing is Print on Demand (POD), a hybrid technique using one of three companies that has the author pay between $400 and $2,000 to have the book published. These companies, which now comprise approximately 95 percent of the industry, are Xlibris, iUniverse and AuthorHouse.

They'll do the cover design and assist with marketing, and bring the book out within about four months, but the author still does the lion's share of sales. Durkin added, "It does help to create a marketing plan, as it will show a publisher that you have given marketing some thought and will, ultimately, help you make more money."

Durkin also suggests trying to convince someone to underwrite the cost of publishing your book; "if it loses money, they can use it as a tax write-off," he said.

The markup on books is high; retail markup is approximately 40 percent, while wholesale is about 30 percent or the cost the publishing house can sell it for on the website and still make money. Durkin contends more money is made through doing speaking engagements about the book. He warns that, at book signings, writers should not stalk the audience or stand behind their tables. "Stand in front of the table and engage those who pass. You are a guest of the store; don't overstay your welcome or you won't be asked back." Don't abuse the relationship developed with a store. Writers need to draw people in to make it a good fit with the store.

"The more you make requests, the more successful you will be," said Durkin. "Think out of the box!" The process, as he described it, is writing the story, getting published and marketing; the latter is the most difficult. "Anyone can write one book," added Durkin, who has a second book in the works, however, "writing subsequent ones is the greater challenge."

#1 - Marketing Your Book--What to Do Arrange for book signing
so Arrange for speaking engagementso Offer chain stores your booko Attend local bookstoreo Arrange to be a guest on a local radio talk showo Attend book clubs and writer's groupso Offer to speak at local organizations like Rotary, Kiwanis, etc.o Offer your book for a charity's silent auctiono Donate a copy to your local library o Distribute business cards touting your book.

#2 - Three Major Means of Getting into Print

1. Traditional big name publishing houses like Random House or Harper Collins (you need an agent)
2. Self Publishing (you do everything)
3. Print on Demand (POD) through one of three companies: Xlibris, iUniverse or AuthorHouse.

Sue Masaracchia-Roberts is a freelance writer and public relations specialist.

Wednesday, January 17, 2007

The Plot Thickens

Rob Parnell
It's important to bear in mind that none of the advice below will be useful to you unless you know your main characters well. This is because most good plotting is about the decisions your characters make when confronted with specific situations.

For instance, if you're half way through plotting a novel and you need to know how Janus would react to the death of his sister, if you don't know Janus very well, you might set your novel off in a completely unbelievable direction.

Readers won't necessarily know what happened but will 'get' on a subconscious level that Janus did something out of character. This is not good because, to you also, you will be writing a novel you don't believe in anymore. It won't feel right - one of the main reasons why authors stop writing their novels.

There are many reasons why authors don't finish novels but in my experience you can usually trace back problems to initial characterization - if it's not strong, the story won't work.

Also bear in mind that I believe it's important to plot your novel first - before you start writing. It might be only in the vaguest of ways but, and here's the kicker, you MUST know the ending before you start.

Again, from my experience of working with authors and writers for many years, most books fail to get finished because the writer hadn't decided how the story would end.

Now, I know some of you will howl. Many writers say they don't plot - they let the action unfold for them as they write. Stephen King has famously said that the Dark Tower series just comes to him and he writes it without knowing the ending. But this is deceptive - Stephen King DOES know the ending, in his subconscious mind, in the sense that his characters will always behave in certain ways.

The authors that say they don't plot - and finish their novels - have an advantage. They have a value system that will dictate the correct ending. As a first time novelist you can't afford to assume you can rely on this facility - it's something that comes with age and experience. Writing without plotting requires a maturity that is beyond most of us.

Cause and Effect
There is one very easy way to plot any story and it relies on the law of cause and effect.Try this. Take your main character and place him/her in a situation. Bear in mind he/she has a an agenda. Now, have something happen to them. How do they react? What decisions do they make. Depending on your answer, this is Plot Point One.

Next, based on the actions your main character made, where did your story go? Resolution? Or some little way toward resolution? Whatever. The next part of the story should be dependent upon and caused by the previous plot point. Keep doing this while plotting and your whole story will make sense, even if you go off at tangents and tell all kinds of interweaving stories. As long as you know the ending - or at least have some idea of a resolution that your story will dictate, you can do what you like - take your story wherever seems to make sense at the time.
But this is a golden rule about plotting:

This Happens Because This Happens Because This Happens etc etc.Plots don't make sense unless they are logical and coherent to the reader. They also won't work to you unless they make sense. It's important when plotting to make sure that no events happen without proper cause - and that your characters don't behave inappropriately.

Keep writing!
© Copyright Rob Parnell

Tuesday, January 16, 2007

Ways to Make Your Book A Page Turner

Evoke Curiosity:
begin your chapter by provoking the reader's interest. Reveal a secret, generate a plot line or create a mystery, making sure these elements have consequences further into the story.

Never End at Endings:
avoid ending at plot line at the end of a chapter. That makes it too easy for the reader to put down the book.

Pose Questions:
Construct your chapter endings so you ask a question instead of answer it.
Remember to Remind: keep reminding your reader about the problem your character has, the trouble she's in or the goal she's striving for that's just out of reach.

Monday, January 15, 2007

Promote Your Books Through Flyers

by Judy Collins
© 2003 All Rights Reserved

A good, inexpensive way to promote your books is a flyer.What makes one flyer so much better than another? Use these10 tips to make yours stand out from the crowd.

1. Include your front cover. People want to see what your booklooks like. Color is great, but not necessary. Make sure yourcolored book cover copies well in black and white. It's farcheaper to print in black and white.

2. Hook your prospective buyers with the headline in the top line. For instance, read about SEX as it really is! Give your audiencea reason to buy--Show those benefits!

3. Include some juicy excerpts. Buyers want to see a sample ofyour writing.

4. Include your picture with a brief biography near it. Peoplewant to see what the author looks like. Place it on the rightside if possible.

5. Add praise from others. This is the most important way tomarket. The praise doesn't have to be from famous people. Oneauthor added a testimonial from a convict!

6. Put ordering information on a coupon at the flyer's bottom.Include ISBN number, Web site URL, and discount information.

7. Make it easy to buy. Offer easy ways to buy: credit cards, checksor money orders. Include your toll-free 800 number.

8. Give your buyers all the ways to stay in touch withyou-street address, e-mail, Web Site, local phone and faxnumber, and 800 number.

9. Carry at least 25 flyers with you in a folder. Give one toevery person you meet. Remember the "law of seven." Afterseven exposures, you have a buyer!

10. Use the backside of the flyer. Multiply buying results withmore testimonials on the back. Include a longer excerpt fromyour book there.

Your flyer is an extension of you and your book, and one of theleast expensive ways to market with print. Print hundreds, eventhousands so your book buying public can easily purchase yourbook.

Sunday, January 14, 2007

The Importance of a Pre-Publication Marketing Plan

by Jennifer Hollowell

A Basic Guide for Self-Published and Print on Demand Authors You’ve written your book, gone through the editing gauntlet and decided to publish the finished product yourself. You’ve researched all the self publishing options, decided on a company, approved the book’s cover and polished the book’s final lay-out. All you’re “i’s” are dotted and “t’s” are crossed. Now, you’re ready to go to press. Right? Wrong! Day after day, week after week, my inbox is filled with marketing questions all centered on the same commonality:

· “My book was doing really well in the beginning, but sales have fallen off. Do you have any idea why this happens?”

· “My book has received some great reviews, but they aren’t resulting in any sales. Do you know why this is happening?”

· “I sent out one hundred press kits, but no sales have turned over. Why could this be happening?”

These are just a small sampling of the distressed messages landing in my inbox. How are these situations the same? No pre-publication marketing plans or efforts. Each author felt the impact of “missing the boat” on sales opportunities in one way or another. What’s the solution? A book won’t sell itself. (This is very obvious to some, but not to others.) That’s a reality many self-published authors don’t anticipate until it’s too late. They’ve spent their entire budget without looking at the “entire picture.” The “entire picture” includes setting up a “selling plan” before your book hits the press. These efforts will make or break you. It’s my hope that you’re reading this piece before you’ve gone too far. How do you formulate a selling plan? Step one: target your audience Where do they shop? How much do they spend? What’s your competition? How can they be reached? Step two: outline your goals and objectives

Events:
· Do you plan to do book signings, tours, seminars interviews, radio shows and television appearances? If so, you’ll need press materials and enough books printed to substantiate all these efforts.
· Setting up a workable event schedule for all parties involved is essential.

Pre-pub reviews:
· Line up pre-publication reviews. These are professional reviews published in newspapers (New York Times) and magazines (Publisher’s Weekly).

· Read all submission guidelines thoroughly and adhere to all schedules, deadlines and policies. If the guidelines states self published books aren’t accepted, don’t send an ARC anyway. You’re wasting your budget and the publisher’s time needlessly.
· Be sure to add the cost of ARC’s (Advanced Reader’s Copies), postage and supplies to your budget.

Distribution:
· Research distribution. Remember, brick and mortar booksellers (and some electronic booksellers) won’t stock your title unless it’s carried by one or more major distribution center.
· Add the costs to your budget.

Marketing and Publicity:

· Do you plan to hire someone for marketing and publicity? If so, this needs to be done before the book goes to press. Figure a three to six month campaign into your budget. Explore your options before making your choice. There are a lot of firms following the same “cookie cutter syndrome” as some traditional publication houses tend to follow.

· Do you plan to do the marketing and publicity yourself? If so, READ! There are mountains of books, reports, periodicals and articles’ focusing on the how-to’s of good marketing strategies.
Post-publication reviews:

· Don’t forget to obtain reviews even after the book has already been published. Consumers are driven by both professional and unprofessional opinions.
Step three: determine and realistic budget you can stick to. This is where the most mistakes occur. Without looking at the “big picture,” authors don’t know how much money should be devoted to what aspect of the game. Organization and prioritizing are very important during this stage. Get quotes and estimates for everything (and be prepared for unexpected costs):

1. Printing: galleys and finished copies.
2. Press kits: supplies and postage.
3. Flyers: design, printing and distribution.
4. Publicity: what’s included and for how long?
5. Distribution centers.
6. Print advertising: how long will the ad run? Will it be in color or black and white?
7. ISBN numbers: is it included in your printing fee?
8. Web site: registration, designing, maintaining and hosting.
9. Postal and email address purchasing for booksellers.
10. Posters, post cards and bookmarks for events.

Rule of thumb: blind submissions are bad. Never ever send out materials unsolicited. There are individuals out there selling lists suggesting authors practice in this way and, in reality, it isn’t the way to go. Query first, otherwise your ARC’s are destined for used booksellers and your press materials the recycling bin. This is where I see a lot of authors dwindling down their budgets. Avoid this reality by sending to *interested parties. *There will always be exceptions to any rule, however. If guidelines posted to reviewer databases or publications states querying isn’t necessary, than adhere to that claim. There are numerous other points to ponder in regards to formulating your pre-publication marketing plans. (Remember: pre-publication marketing plans aren’t defined solely as what you do before your book is released, it’s defined as your complete marketing plan outlined in preparation for all eventualities both before and after publication.)

Examples of these points include:

1.Don’t overlook the Internet: get yourself interviewed and or profiled for sites both about writing and about the subjects covered in your book. Build a web site to provide another avenue for ordering, a virtual press kit and link exchanges. Position your book with virtual booksellers and establish link partners.

2.Remember to be sure your book is listed in Books-in-Print. Don’t assume it’s already there.

3.Print/Electronic publications provide longevity to your marketing campaign in terms of having something tangible to reference. Radio shows and television appearances are good during the new release phases, but are often forgotten within hours of the broadcast. Focusing time and attention to an enduring effort is key.

Final thoughts: As the old saying goes, your book is as successful as the efforts put forth by the author, particularly in the cases of self-publishing and print on demand.

Thursday, January 11, 2007

How To Get Noticed by Editors And Publishers: Make Your Strengths Shine

by Shelley Wake

To be a successful writer and get noticed, being good often isn’t good enough. You have to shine. You have to have something that puts you above all others. Of course though, nobody is perfect. Everyone has faults and flaws. But everyone has talents and abilities too. What’s your talent?

Find your talent and focus on it. Develop it. Showcase it in your writing so it really shines through. Remember, one thing that stands out is far easier to notice than ten things that are good, but not great. Make sure your best skill stands out.

Stacey’s Story:
Start With Something SpecialI had my breakthrough while taking a break from writing. I was watching the movie Bring it On and decided to watch the bonus features. One of them was an interview with the director and he talked about how the screenplay got noticed because it opened with the cheer song. That stood out, that got their attention, that made them want to read the rest. I decided to take the same approach. I took chances with the start. I started with a letter, a poem, a snippet from a diary. It must have made the difference because with that one change, a manuscript that had been rejected 14 times got purchased. –Stacey, Novelist

Carmen’s Story:
Use Your StrengthsI was told by my teachers and by readers that my dialogue was really strong. So I decided to stop hiding it away and I put it right out front. I made the first chapter of my novel almost all dialogue. It got the attention of an agent, who has since told me that the individuality of the first chapter told him that he had found a new writer with a clear sense of style. He took me on and is now trying to sell that sense of style to publishers. Even better for me, he’s not just trying to sell my first book, he’s trying to sell me as the next new thing, a young writer to look out for! –Carmen, Novelist

Editor Says:
“Forget Modesty”Writing is not a business where you can afford to be modest. You have to get in there and show what you’ve got. Whatever you do better than everyone else, show it off. Build your work around your best skill. Otherwise, you’re going to be lumped in with the rest of the writers that are good, but don’t stand out. –James, Editor

Editor Says:
“I’m Looking for One Thing”Many writers make the mistake of trying to show me everything they do well. Forget it. I’m glancing at hundreds of manuscripts a day. To catch my attention, you have to hit me between the eyes with one strong point that I can’t not notice. There will be time later to show me your other strengths. For the first contact, focus on making one clear point about yourself and make it a good one.–Darryn,

Susan’s Story: Is it Really a Flaw?
In the early days of Susan’s career, everyone advised her that she relied on dialogue too much. So she cut out the dialogue. She kept writing but found her work lacked energy. Years later, she decided to ignore all the advice. The novel came naturally to her and it was almost all dialogue. The book reviews praised her unique style and voice. Susan learned her lesson—never suppress what comes naturally to you. Remember, what comes naturally to you might be your greatest gift, not your greatest flaw.

Top Six Ways to Find Your Strength
1. Ask other people what stands out about your work.
2. Read some of your best work and make a list of what makes it good.
3. Read through the contents of a book about writing and ask yourself if there is an area you are good at.
4. Think about what other people have said about your work. Are there any comments that keep being repeated?
5. Ask yourself what you care about when you write.
6. What do you like about other people’s work? Often the things you notice in other people’s work are also the things that you are good at.

© Copyright Shelley Wake. All Rights Reserved.

Wednesday, January 10, 2007

POETRY: FINDING YOUR INSPIRATION

A good poet is able to find the natural rhythms of everyday life and express them eloquently in words. But where do the ideas come from? There are thousands of poems out there about tired subjects like love and war; as a poet, your job is to find either a new and original take on these overused subjects or bring an original idea to life. Sometimes, however, the poetry muse takes a hike...and doesn’t return.

Here are just a few of the many ways to either discover or reclaim your wayward muse:
Look around you. Anything, anything at all can be the subject of a poem if dealt with in an original and creative matter.

Keep a notebook with you at all times and keep an eye on the people and places around you. The grocery store, the park, the bus—all can inspire new and creative ideas for poems. You might not necessarily write about what you see, but ideas may come to you in different settings.
Keep a notebook beside the bed for ideas that stem from dreams. Or write a poem about a dream you wish you’d had.

Keep a file of ideas—clippings, sketches, quotes—anything that may inspire a poem later on.
Writing prompts can often generate original thought. Try a "what if" scenario: What if children ruled the world? What if you woke up three feet taller?

Write about something "ugly" and make it beautiful through imagery.

Write a poem that consists solely of dialogue. Or create a poem from a list (I.e. The ten best pieces of advice I ever received).

Write a poem about someone from a distant place and time as if you were that person.
Write about an inanimate object—or from the object’s point of view. "Ode to a Paperclip" may not get you published, but it may spark creativity and original ideas.

Write from someone else’s point of view. Instead of yet another poem about Christmas, try writing about Christmas from the point of view of the homeless woman on the corner. Avoid using the word "Christmas" and rely on imagery instead.

Write about something you did NOT experience but wish you had (I.e. Woodstock) or an era in which you’d like to have lived.

Try writing passionately about something you passionately do NOT believe in—and make it convincing. Write about the joy of being a skinflint or how lovely it is to kill baby seals. Try this with or without the use of irony.

Go back to your childhood and write an apology in the form of a poem. Write a poem to someone you wish you had known or confront someone who did you wrong.
Scan newspaper or magazine headlines—write a poem about the woman who gave birth to six alien babies or the man who built a shrine to cockroaches. Take risks and experiment with the bizarre.

Take your personal demons and put them down on paper. If the subject is painful yet rings true, it will strike a chord with your readers. Don’t be afraid to tackle uncomfortable subjects.
Take on the clichés directly: try writing a good love poem without once using the word "love." Take it a step further and eliminate the words "joy," "desire," and "heart."

Read contemporary poets’ work. Read all you can. Identify what makes a poem call to you and analyze what makes you dislike other poems. Gain inspiration from others’ work.
Remember: all subject matter is worthy. A good poet need not have traveled the world or lived a life of tragedy. Look in your own metaphorical backyard for material.

Above all, keep writing, keep submitting, and write some more. The poems that result may not be worthy, but keep it up. It’s better to write a bad poem than to not write one at all. Eventually, even when your muse has flown the coop, the right poem will emerge.

Tuesday, January 09, 2007

Character Development

'Flat Characters'
Definition: Flat characters are minor characters in a work of fiction who do not tend to undergo substantial emotional change or growth. Flat characters are also referred to as "two-dimensional characters," and are the opposite of round characters.

Though we don't generally strive to write flat characters, they are often necessary compenents in any given story, along with round characters.

Also Known As: Two-Dimensional Character, Minor Character
Examples: Mr. Collins in "Pride and Prejudice" is a flat character, mostly used to comic effect and to help advance the plot.

'Round Characters'
Definition: A round character is a major character in a work of fiction who encounters conflict and is changed by it. Round characters tend to be more fully developed and described than flat, or minor characters.

If you think of the characters you most remember in fiction you've loved during your life, they will almost all be round characters. These are the characters who may have seemed as real to you as people you know in real life.

A number of elements in fiction reveal character, making the character round, including description of a character, dialogue, a character's actions, and a character's thoughts.
Also Known As: Major Character, Main Character, Dynamic Characters

New York Public Library Writer's Guide to Style and Usage
A writing guide for everyone--not just academics and editors. With 13 chapters on style, this thorough guide covers grammar, design, publishing, charts, tables, illustrations, printing, desktop publishing, and every subject from manuscript to fini... Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved....

Sunday, January 07, 2007

Why Manuscripts Are Rejected

by Sharon Good

Submitting manuscripts to publishers is a courageous act. It can also be a frustrating and perplexing one. When you've spent months or years of your life writing a book that you take great pride in, it's hard to understand why editors don't see the value in it that you, your colleagues, and friends do.

Let me share then some of the insights I've gained as a publisher-editor, so you might take your rejections a little less personally and target your submissions more successfully.

Inappropriate subject matter for that publisher
If a publisher does not publish in your genre, you're barking up the wrong tree. Don't submit your romance novel to a publisher of nonfiction, or your self-help book to a publisher of textbooks. It's a waste of the editor's time ... and yours.
Carefully read the listings in Writer's Market. Browse the bookstore for books similar to yours and the publishers that produce them. Then call and get the name of the editor most appropriate for your book.

Manuscript sent without a query or agent
Editors are busy people who work in crowded offices. Be respectful of their time and courteous enough to send a query or proposal first (after verifying that they handle your subject), rather than forcing them to wade through stacks of paper.

Further, many editors, particularly those in larger publishing houses, rely on agents to screen material for them and make appropriate submissions. Submissions that arrive "unagented" are almost always returned unread. Others usually end up at the bottom of the "slush pile" and wait several months to be read—if they're read at all.

Weak book proposal
Writing a proposal can be as hard as writing the book itself. You must make a good case for why your book should be published. Don't take it for granted that the editor already knows the market and competition for your book. Do the research. Consult one or more of the available books that provide guidance and models for writing proposals. Here are two in particular that are worth consulting:

Write the Perfect Book Proposal: 10 Proposals that Sold and WhyBy Jeff Herman and Deborah M. Adamshttp://www.amazon.com/exec/obidos/ASIN/0471575178/fiction
Nonfiction Book Proposals Anybody Can WriteBy Elizabeth Lyonhttp://www.amazon.com/exec/obidos/ASIN/0936085312/fiction

Good topic, poor writing
Even if you've chosen a marketable topic, if your proposal or manuscript needs to be substantially rewritten, it's generally not worth an editor's time and effort. Work on your writing skills or hire a ghostwriter. Get feedback and work with a freelance editor to whip your manuscript in shape before you submit it. A poorly written piece rarely gets a second chance.

Saturated market
While it's true that a hot topic will spawn a deluge of books, many publishers, particularly small ones, are looking for books that are unique and will have staying power. If you have an idea for a book in a popular category, be sure your book offers a fresh approach.

Market too small
While it's good to target a specific niche, if the niche is too small, it's not worth a major publisher's time or money. The chances of making a profit are too slim. If you can't broaden the scope of your book, seek out a small press that caters to that niche or a regional audience, or consider self-publishing.

Topic or approach too personal
I can't tell you how many times I've been approached by someone who knows someone with a "really interesting life." While that may be true, interesting lives don't sell books unless they have a hook on which to hang the publisher's marketing and publicity efforts.

Book not to an editor's taste
Unfortunately, there's not much you can do about this, but that doesn't mean your book is undeserving of publication. If you feel it is well-written and marketable, keep sending it out until you find the right match. Literary history is full of stories of authors who submitted their proposals and manuscripts dozens of times before they hit.

Too much advertising and marketing required
In the past, large publishers produced numerous titles, depending on their bestsellers to"carry" their other, more "moderate" sellers. While that's still true to some degree, large publishers today are cutting their lists down while looking for books with a strong market and promotable authors. (Ditto for many of the small presses.) What does that mean for you? That you should expect to contribute to the marketing effort. Further, you should make your willingness to help—and your promotional ideas—known in your proposal.

I hope you'll use these observations to your advantage and find yourself signing a publishing contract in the near future!

© Copyright 2001 by Sharon GoodAll rights reserved in all media.

Monday, January 01, 2007

How Do I Learn To Write?

By Terry McGarry

Sentence-by- sentence writing improvement:

Line by Line:

How to Edit Your Own Writing, Claire Kehrwald Cook,Houghton Mifflin
A Dictionary of Modern English Usage, William Fowler, Oxford Univ. Press
The Careful Writer, Theodore M. Bernstein, Atheneum
The Practical Stylist, Sheridan Baker, Harper & Row
The Transitive Vampire: A Handbook of Grammar for the Innocent, the Eager, and the Doomed, Karen Elizabeth Gordon, Times Books (also The Well-Tempered Sentence by her)
The Elements of Style, Strunk & White


Writing better fiction:
Beginnings, Middles, and Ends, Nancy Kress, Writer's Digest Books
Creating Short Fiction, Damon Knight, St. Martin's
On Becoming a Novelist, John Gardner, Harper & Row
The Art of Creative Writing, Lajos Egri (may be OOP)
Techniques of the Selling Writer, Dwight V. Swain
How to Write a Damn Good Novel II,James N. Frey. St. Martins 1994, ISBN 0-312-10478- 2
Characters and Viewpoint, Orson Scott Card

Writing better speculative fiction:
The Craft of Science Fiction, Reginald Bretnor
Those Who Can, Ed. Robin Scott Wilson (recently reprinted)
Paragons, Ed. Robin Scott Wilson
Creating the Heavens, Melissa Scott, Heinemann
Style manuals (cover grammar, punctuation, usage, treatment of names and terms, editing stages, book production):
The Chicago Manual of Style, University of Chicago
Words into Type, Prentice Hall
A Manual of Style (U.S. Govt Printing Office), Gramercy
The New York Times Manual of Style and Usage